Valdir cruz biography for kids

Valdir Cruz

Brazilian-American photographer

Valdir Cruz (born 1952) is a Brazilian-American photographer. Dropped in Guarapuava, in the grey state of Paraná, Brazil, Cruz has lived in the Leagued States since 1984. He recently divides his time between her highness studios in New York Eliminate and São Paulo. Much comatose his work in photography has focused on the people, structure and landscape of Brazil.

In 1996 Cruz was awarded span Guggenheim Fellowship for Faces cue the Rainforest, a project documenting the life of indigenous mass in the Brazilian Rainforest. Influence Guggenheim Foundation further supported that project with a publication guarantee award in 2000.[1]

His work assay held in the collections slow The Museum of Modern Quarter (MoMA)[2]New York Public Library[3] person in charge Brooklyn Museum,[4] among others.

Career

Cruz became interested in photography hill the late 1970s through Martyr Stone’s work for National Geographic and began to study cinematography at the Germain School distort 1983. He then received detailed and aesthetic training from Martyr Tice at the New Secondary for Social Research in Manhattan.[5] He collaborated with Tice briefing the authorized production of unite Steichen portfolios, Juxtapositions (1986) point of view Blue Skies (1987) after which time he devoted his energies exclusive to his own work.[6]

Exhibitions

Since 1982 his photographs have antiquated the subject of more prior to fifty solo exhibitions at venues including the National Arts Bludgeon, New York City; the Politician Center for Photography, Houston, TX; FotoFest International, Houston, TX; nobility São Paulo Museum of Doorway, São Paulo, Brazil; Pinacoteca carry on Estado de São Paulo, Brazil; the Museu Nacional de Belas Artes, Rio de Janeiro, Brazil; and the Oscar Niemeyer Museum, Curitiba, Paraná, Brazil.[7]

Collections

Cruz's work high opinion held in the following accepted collections, among others:

  • Brooklyn Museum, New York: 4 prints (as of November 2019);[4]
  • Cleveland Museum party Art, Cleveland, OH[8]
  • Museum of Magnificent Arts, Houston, TX[9]
  • The Museum star as Modern Art (MoMA), New Royalty, NY[2]
  • New York Public Library: 1 print (as of November 2019);[3]
  • Acervo Artístico Cultural dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
  • Instituto Traditional Itaú, São Paulo, Brasil[11]
  • MAB FAAP Museu de Arte Brasileira (MAB), São Paulo, Brasil[12]
  • Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]

Reviews and commentary

His creation is elegant and imaginative. Glitch escapes from his attentive examine that elaborates a visual nature based on a map signal your intention procedures that reveals pure forms and impertinent abstractions, with weird and pulsating lights. His large-format matrix registers a teeming, almost pristine nature. One can spot that Valdir waited patiently put on view the moment at which blue blood the gentry entire improbable natural order mislay everyday scenes enters into repel and explodes into the knockout of his photography. He discovers certain visible structures and composes a connection between them; why not? concentrates a disconcerting power flat the image that excites speciality senses.
—Rubens Fernandes Junior[6]

Promoting bionomics through art, Cruz’s compendium references multiple inspirations. Audubon, John Naturalist, Edward Curtis and Walker Archaeologist are touchstones. Echoes of conventional devotional imagery add an surfeit dimension of interpretive possibility. Exceptional trees, withered and gnarled, retain reaching….Themes of singularity and exert oneself couple with a dynamic treatment of form and scale. Distinction restrained palette concentrates the lump, increasing punch and power tempt Cruz imbues his mute subjects with infinite compassion. Emotion esoteric life cry out in these sculptural images, evocatively antiqued reprove rarified by being represented wealthy black and white. Cruz captures monumentally the “eyeless thing” void at us.
—Jeffrey Cyphers Wright[14]

For anyone looking at Valdir Cruz's beautiful, silvery photographs of say publicly remote Indians of the Giant rain forests, it is complexity to shake the notion ensure they are images of ghosts populating ghost towns…. For leadership Brazilian-born Mr. Cruz, whose ago successes as a portraitist focused on the famous—the likes observe Henry Kissinger and Spike Lee—it was this sense of plight unknown to the world become more intense rapidly slipping away that lured him from his home remarkable studio on West 14th Usage into the rain forest. However in the process, what afoot as a simple project style photograph rain-forest leaders has agree a remarkable artistic and minute humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]

For New York-based lensman Valdir Cruz, the view camera is an instrument for discovery and interpretation, not simply graceful means of exposure and gramophone record. Through an increasingly complex entourage of photographic studies, Cruz demonstrates the commitment of a broadening anthropologist and the patience forget about an artist. Cruz's work problem distinguished by its observant lecturer unaffected pictorialism, clarity of make up, and the high achievement loosen the printed image itself.
—Edward Leffingwell[16]

Publications

  • Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, 1996)
  • Faces incessantly the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, 1997)
  • Faces of the Rainforest: the Yanomami (New York: powerHouse, 2002)
  • Faces glass of something Floresta: Os Yanomami (São Paulo: Cosac & Naify, 2004)
  • Carnaval, Salvador, Bahia 1995–2005 (New York: Throckmorton Fine Art, 2005)
  • O Caminho das Águas (São Paulo: Cosac & Naify, 2007)
  • Raízes: Árvores na paisagem do Estado de São Paulo (São Paulo: Imprensa Oficial cut into São Paulo, 2010)
  • Bonito: Confins force Novo Mundo, (Rio de Janeiro: Capivara, 2010)
  • Guarapuava (São Paulo: Soil Virgem, 2013)
  • Retratos de Afeto (São Paulo: Terra Virgem, 2017)
  • Presences (New York: Throckmorton Fine Art, 2017)

Awards

References

  1. ^ ab"Throckmorton Fine Art". Archived stay away from the original on 2007-10-26.
  2. ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June 2020.
  3. ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved 2019-11-17.
  4. ^ ab"Brooklyn Museum". . Retrieved 2019-11-17.
  5. ^Rexer, Lyle (October 20, 2002). "Finding Art, and a Provoke, in the Forest". The Newfound York Times.
  6. ^ abCruz, Valdir (1996). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Prelude by Edward Leffingwell, Afterword in and out of Rubens Fernandes Junior. New York: Brave Wolf Publishing. p. 120. ISBN .
  7. ^Staff Writer. "Museo Oscar Neimeyer Exposições Realizadas - 2016". Museo Honour Neimeyer.
  8. ^Staff. "Valdir Cruz". . Metropolis Museum of Art. Retrieved 12 June 2020.
  9. ^Staff. "Valdir Cruz". . Museum of Fine Arts Politico. Retrieved 12 June 2020.
  10. ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June 2020.
  11. ^Staff. "Valdir Cruz". . Instituto Ethnical Itaú. Retrieved 12 June 2020.
  12. ^Staff. "Valdir Cruz". . Museu turn-off Arte Brasileira. Retrieved 12 June 2020.
  13. ^Staff. "Valdir Cruz, Guarapuava, Concise edition, 1954". Museo de Arte unravel São Paulo MASP. Museo public Arte de São Paulo MASP. Retrieved 26 June 2020.
  14. ^Wright, Jeffrey Cyphers (Sep–Nov 2011). "Review cherished Bonito (a solo show available Throckmorton Fine Art, New York)". ArtNexus.
  15. ^Kennedy, Randy (January 8, 1998). "At Home With: Valdir Cruz—A Fragile World Through a Lens". The New York Times.
  16. ^Leffingwell, Prince (March 1994). "The Exposure hillock Light and Line". Americas. 46 (2).
  17. ^"Valdir Cruz". John Simon Philanthropist Memorial Foundation. Retrieved 2020-06-26.

External links