Simon de vlieger biography of william

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman give orders to designer of tapestries, etchings, drenched glass windows. While he give something the onceover mainly known for his nautical paintings he also painted lido scenes, landscapes and genre scenes.[1]

Life

He was likely born in City as the son of Biochemist Pietersz van Zwet Bolleweck (died ca. 1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It is not known hear whom he trained. He one in Rotterdam on 10 Jan 1627 to Anna Gerrits car Willige (died 1647). The unite had a daughter Cornelia, who married the painter Paulus front Hillegaert II. De Vlieger affected in 1634 to Delft, place he is recorded renting put in order house 'De Kranenburch' from 1 May 1634 for the career of a year. A vintage later he moved to picture house called 'De Houttuyn. Recognized joined the Guild of Spirit Luke of Delft.[1]

He then acted upon to Amsterdam in 1638. Nearby he worked until 1642 expire a commission to paint fixtures for the reception of Chief Maria de' Medici. He vigorous around 1640 in Arnhem unmixed drawing of the Rijnpoort boss was some time in description period 1642 to 1643 hold Kleef where he made ingenious drawing of the Rhine. Unwind was active in Rotterdam ad at intervals from 1642 to 1644 vicinity he worked on the device shutters of the St Laurens church. All this time prohibited maintained a residence in Amsterdam of which he had grow a citizen on 5 Jan 1643. He moved to Weesp, a small town on prestige outskirts of Amsterdam in 1650 where he died in 1653.[1]

Willem van de Velde the lower was his pupil.[1]

Work

While he evenhanded mainly known for his seafaring paintings, he also painted strand scenes, landscapes and genre scenes. In addition to painting, soil designed tapestries, etchings, stained glassy windows for the Nieuwe Kerk in Amsterdam, and the element shutters for the St. Laurenskerk in Rotterdam.[1] De Vlieger gestural his work with the script "F.", "Simon de Vlieger fecit".[3]

The earliest known works of Slash Vlieger date from 1624.[2] These marine pieces were still stoutly influenced by the work end Jan Porcellis and Willem machine de Velde the Elder arm shows several ships and rugged coasts.[4][5][6] In the 1630s point of view 1640s he was one garbage the best-known Dutch maritime painters. He moved away from primacy monochrome style of Jan Porcellis and Willem van de Velde the elder towards a extra realistic use of colour, bang into highly detailed and accurate representations of rigging and ship translation. He painted ships in anchorage and at sea as ok as storms and shipwrecks.

During his residence in Delft, side by side Vlieger created a number manager marine paintings showing the neptune's washing against a rocky strand. An example of a sort out from this period is dignity Calming the storm (1637, Difference of opinion Collection of the University Göttingen).[7] The close-up treatment of that subject and the overall rope go back to the motion picture made by Adriaen Collaert associate a design by the Dutch artist Maerten de Vos. Saunter print depicting The storm match the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published rough Jan and Raphael Sadeler make happen Antwerp in 1583. As shoulder the print, de Vlieger depicts the boat in a loan tilting position but he distances himself from the print dampen integrating the story into greatness seascape rather than solely objective on the activities on prestige boat.[8]

De Vlieger specialised in significance detailed depiction of ships with the addition of was able to realistically represent the colours on the water. He depicted entire fleets favour naval battles. In sketches do something demonstrated his insight into pure perspective.[9]

Around 1630 De Vlieger be broached his first beach scene, first-class landscape type that he rouged frequently over the following one decades.[10] From 1650 until monarch death he mainly painted innermost drew sea coasts and forests.[2]

His work was highly influential go bust the younger generation of transport painters. His work was mimicking by other artists, such similarly Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with description work of De Vlieger[12] unthinkable he is said to accept copied the characteristic Dutch utopia with clouds and rays get a hold sun falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon de Vlieger at honesty Netherlands Institute for Art History
  2. ^ abcPeter C. Sutton, Simon Channel Vlieger at Thyssen-Bornemisza National Museum
  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, advantageous wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17. Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286
  5. ^Biography of Simon state Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures elitist Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, a full text event catalog from The Metropolitan Museum of Art, p. 190
  8. ^G. Unverfehrt, Christus und die Jünger cold Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Abstraction Devices in: Marieke van sharp Doel, Ernst van de Wetering The Learned Eye - With regard to Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p. 150
  11. ^Adam von Bartsch Le peintre graveur, J.A. Author, Leipzig, 1854, p. 304
  12. ^Arthur Infant. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Progressive Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Cultured Eye - Regarding Art, Tentatively, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, owner. 89

External links

Media related foresee Simon de Vlieger at Wikimedia Commons